Starting today, bookstores in Japan have set up a trial reading booklets for OTOMO THE COMPLETE WORKS Vol.23: ANIMATION AKIRA LAYOUTS AND KEYFRAMES 1. This booklet is for bookstore placement only and it will not be sold. In it, Otomo drew an introductory instructions on how to read the 650 page book that will be released at the end of the month with a retail price of ¥7,700.
① The animation cuts are layered in order from the bottom
② Check the movement by dropping from cell 1 to 2, 3, 4, 5, and so on
③ This book has a page structure that reproduces it. Lay the body down first
④ From the bottom page, Please take a look while dropping only the odd-numbered pages.
⑤ After reading up to page 1, please turn the book over so that the back cover is facing up.
⑥ Page down, please enjoy the even-numbered pages in order from page 2.
Publisher: Kodansha (講談社)
Release date: 2022-XI-10
Number of pages: -
Size: 248 x 172mm
Retail price: Not for Sale
■Vol.23: ANIMATION AKIRA LAYOUTS AND KEY FRAMES 1 will be the first of three books that collects layouts, modified original drawings, and original drawings made by Katsuhiro Otomo for the movie AKIRA, selected by him from his personal collection.
Available in Amazon Japan: https://amzn.to/3WV7PJ4
TWITTER Q&A by OTOMO (November 10, 2022)
■Printing and binding of this book is troublesome, so it will take time to reprint. We recommend that you make a reservation early.
■(Regarding hands cramped flipping the pages) Of course they cramp. In such a case, stretch the cramped fingers with your left hand.
■(Regarding his latest illustration) The real new work is Zenshu-kun. I am drawing it right now.
■I had never had a book like this before, so it was hard to get the publisher to understand. I wanted to reproduce the number of pages and the colored pencils that were instructed, so I used full color. There are various things and it has become expensive.
■Since it is basically a collection of layouts, timesheets are not included. It's like this.
■(Regarding the stuffed bear toy scene) Hirotsugu Kawasaki (川崎博嗣) carefully drew the original drawings, so the finish was the best. It was a little dark.